This excellent production serves as a reminder of the unsettlingly timeless qualities of Pinter's 1960 drama and of the singular comic genius of actor Darren Gilshenan.

Ash Flanders wrote and stars in this deeply personal and exceedingly droll play about himself, his formidable mother and getting old.

One of the finest violin concertos ever written and a melodic Dvořák symphony make for a splendid musical evening, led by conductor and violinist Guy Braunstein.

Haydn specialists and a theatrical giant give us a life well imagined.

In this concert, featuring a world premiere by Vaughan McAlley, the expertise of the singers and their director was let down by the poor acoustic of the venue.

This cracking new play by Andrea Gibbs is full of Aussie slang, but is powerful and beautiful as it addresses serious issues relating to footy.

Enter the SOH Studio, transformed into an opulent hotel lobby where no one is quite what they seem, and you will be immersed in a delicious escape from reality.

The beautiful and shocking secrets of our rivers are conveyed through a spellbinding marriage of film and music.

After a slow start, this MSO concert takes flight with performances of Takemitsu's Dreamtime and Debussy's Nocturnes.

Richard Mills’ take on a timeless Chinese love story finally gets its world premiere.

This visceral, surreal, high-tech drama is often compelling but the message never quite coheres.

Standing in for Daniel Barenboim, Christian Thielemann delivers a musical triumph, while director Dmitri Tcherniakov succeeds in honouring Wagner's dramatic intentions.