Review: The Pulse (Gravity & Other Myths, Aurora, Adelaide Festival)
The Adelaide-based contemporary circus troupe takes a bold leap forward with its latest, ambitious show.
The Adelaide-based contemporary circus troupe takes a bold leap forward with its latest, ambitious show.
WA's top operatic talent delighted the audience with a program of classics and favourites, though a broader mix of repertoire wouldn't have gone astray.
A slightly uneven but innovative take on Chekhov's famous play.
Kate Mulvany's new play based on Ruth Park's classic children's novel, set in The Rocks, is the perfect way to reopen the refurbished Wharf.
An antipodean dream finally comes home.
Dane Lam unveils Lyle Chan’s new fanfare in a concert that spans chamber orchestra to organ symphony.
An emphatic, energetic start to a new year with the first subscription concert for 2021.
World Premiere proves love is a four-legged word.
Alexander Berlage's colour saturated, overblown production of Mel Brooks' musical doesn't quite find its groove though there's still much to enjoy.
This Australian premiere rightly challenges us to the point of discomfort, raising more questions than it answers.
In a welcome return, The Sleeping Beauty has re-awakened, and Victorian Opera’s long-awaited 2021 season has finally begun.
Carmen Giannattasio makes an impressive Opera Australia debut in John Bell’s dramatic production.
SXS's season opener with Slava Grigoryan proved an amiable, enjoyable concert with a fascinating new work for guitar and chamber orchestra by Natalie Nicolas.