With the MSO under Maestro Benjamin Northey, violinist Emily Sun gave a performance of Korngold's Violin Concerto that warrants recording, as does the orchestra's rendition of Hyde's Village Fair.
Combing artistry and stamina, New Zealand choreographer Douglas Wright's masterpiece of contemporary dance is made all the more magical by a glorious live musical accompaniment.
The first in a series of four concerts, conducted by Douglas Boyd, illuminates the nature and significance of Beethoven’s nine symphonies.
Catherine Foster makes a stunning Australian debut in a concert of Strauss’ Greek tragedy.
Making his debut with the CSO, young conductor Sam Weller made an indelible stamp with a performance to be treasured.
It’s easy to be bowled over by the charm and humour with which Restless Dance Theatre takes on assumptions and challenges involving disability.
Ralph Fiennes delivers a powerhouse performance that won't disappoint fans in David Hare's play about legendary urban planner Robert Moses, directed by Nicholas Hytner.
In the spectacular surrounds of the WA Museum Boola Bardip, Voyces’ second concert of the year explored the influence of time on choral music.
Ensemble Offspring's micro-festival was a tribute to the transformative power of living new music, and sent the audience home grinning.
Uzbek pianist Behzod Abduraimov shone in duet with the QSO in Rachmanimov’s Concerto No 2 for Piano and Orchestra, while ancient landscapes came to life in Lachlan Skipworth’s Hinterland.
In its debut concert as the new Company in Residence at QPAC, Ensemble Q gave a vivacious performance of works by Beethoven and Paul Dean.
Choreographed by Natalie Weir, this must-see ballet is brought to life by the brilliant performances of its dancers, a stylish production design and WASO's glowing interpretation of Bach's music.
This concert, celebrating the music of Vivaldi, was excellent in every regard, with soprano Miriam Allan holding the audience in the palm of her hand.
