Review: Tell Me I’m Here (Belvoir)
A story and a production that distresses and discomforts, enrages and subdues. Prepare to ache and then reflect long afterwards.
A story and a production that distresses and discomforts, enrages and subdues. Prepare to ache and then reflect long afterwards.
This Mozart showcase with Neal Peres Da Costa and members of the Young Mannheim Symphonists was a masterful and exuberant snapshot of the composer's oeuvre.
From the jubilant opening of Glinka’s Ruslan and Ludmila Overture to the majesty of Tchaikovsky’s Fourth Symphony, this was the TSO at its finest.
The Australian soprano's long-delayed home tour was worth the wait.
This musical program of mixed works had its moments but lacked the essential ingredients for a genuinely magical celebration.
Conductor Asher Fisch led more like a general heedless of his own safety in this magnificent reading of one of the 20th century’s most profound compositions.
Cool, charming and charismatic, Chen dazzles with his fourth Strad.
Speak Percussion's hybrid of prog rock, funfair and performance art is sure to please connoisseurs and the uninitiated alike.
It’s sexism versus the modern woman in this powerful new play by Suzie Miller, inspired by Anna Karenina.
Valentin Schwarz's new production cannot overwhelm the music conducted by Cornelius Meister, but it would be better served as a TV mini-series with its own original music and script.
It’s impossible to resist this original Broadway production’s big hairdos and even bigger feel-good energy.
This program of free concerts at venues around Port Augusta has immense potential for the development of audiences and the encouragement of young musicians.
Flamenco maestro Paco Peña and the Grigoryan Brothers delivered a musical fiesta on the first night of their national tour.