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Theatre
Live Review

Review: Tell Me I’m Here (Belvoir)

A story and a production that distresses and discomforts, enrages and subdues. Prepare to ache and then reflect long afterwards.

August 26, 2022
Classical Music, Instrumental, Orchestral
Live Review

Review: Tempestuous Skies (Australian Romantic & Classical Orchestra)

This Mozart showcase with Neal Peres Da Costa and members of the Young Mannheim Symphonists was a masterful and exuberant snapshot of the composer's oeuvre.

August 25, 2022
Classical Music, Orchestral
Live Review

Review: Tchaikovsky’s Fourth (Tasmanian Symphony Orchestra)

From the jubilant opening of Glinka’s Ruslan and Ludmila Overture to the majesty of Tchaikovsky’s Fourth Symphony, this was the TSO at its finest.

August 22, 2022
Classical Music, Vocal & Choral
Live Review

Review: Alexandra Flood and Konstantin Shamray (Utzon Series, Sydney Opera House)

The Australian soprano's long-delayed home tour was worth the wait.

August 21, 2022
Classical Music, Orchestral
Live Review

Review: Queensland Symphony Orchestra’s 75th Birthday Concert (QSO in association with QPAC)

This musical program of mixed works had its moments but lacked the essential ingredients for a genuinely magical celebration.

August 21, 2022
Classical Music, Orchestral
Live Review

Review: Britten’s War Requiem (West Australian Symphony Orchestra)

Conductor Asher Fisch led more like a general heedless of his own safety in this magnificent reading of one of the 20th century’s most profound compositions.

August 20, 2022
Classical Music, Orchestral
Live Review

Review: Ray Chen: Mendelssohn’s Violin Concerto (Sydney Symphony Orchestra)

Cool, charming and charismatic, Chen dazzles with his fourth Strad.

August 19, 2022
Instrumental, Orchestral
Live Review

Review: Scream Star (Speak Percussion)

Speak Percussion's hybrid of prog rock, funfair and performance art is sure to please connoisseurs and the uninitiated alike.

August 19, 2022
Theatre
Live Review

Review: Anna K (Malthouse)

It’s sexism versus the modern woman in this powerful new play by Suzie Miller, inspired by Anna Karenina.

August 18, 2022
Festivals, Opera
Live Review

Review: The Ring of the Nibelung (The Bayreuth Festival)

Valentin Schwarz's new production cannot overwhelm the music conducted by Cornelius Meister, but it would be better served as a TV mini-series with its own original music and script.

August 18, 2022
Theatre
Live Review

Review: Hairspray (John Frost/Crossroads Live)

It’s impossible to resist this original Broadway production’s big hairdos and even bigger feel-good energy.

August 16, 2022
Chamber, Classical Music
Live Review

Review: On the Terrace On the Road (Chamber Music Adelaide)

This program of free concerts at venues around Port Augusta has immense potential for the development of audiences and the encouragement of young musicians.

August 16, 2022
Classical Music, Instrumental
Live Review

Review: Guitarra (Sydney Guitar Festival)

Flamenco maestro Paco Peña and the Grigoryan Brothers delivered a musical fiesta on the first night of their national tour.

August 16, 2022

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