Review: Stravinsky’s Ballets (Melbourne Symphony Orchestra)
The combined forces of MSO and ANAM under Chief Conductor Jaime Martín delivered a revelatory performance that brought the audience to its feet.
The combined forces of MSO and ANAM under Chief Conductor Jaime Martín delivered a revelatory performance that brought the audience to its feet.
The music played by the Jeremy Rose Quartet is a highly sophisticated form of contemporary jazz, and the appreciative audience listened intently.
The three musicians are each magnificent in this wonderful concert; as a trio they are transcendent.
This superb concert by Thomas Wilson on the West Organ, accompanied by video screens, opened the eyes – or ears – to a new world.
Mean Girls meets Freaky Friday in this adaptation of Alice Pung’s young-adult novel.
Another penetrating tour de force from an auteur director, this thrilling production demands and delivers in equal kind.
As the world resets, Tognetti makes a compelling statement about the fragility of life on Earth in this concert with striking video imagery.
Angela Betzien's new play is a study of bureaucracy, burnout and teachable moments.
This fine concert featuring chamber arrangements of works by Wranitzky, Mozart and Beethoven provided a taste of live performances before the dawn of recorded sound.
The AFCM’s Festival Finale was a fitting conclusion to the festival, with a pot-pourri of diverse musical pieces to suit all tastes.
An eclectic and quirky mix of musical gems and songs from film scores, offering both serious and light-hearted works, with many delightful moments.
The program’s promise of ‘music out of the blue’ delivered an overwhelmingly melancholic view of the beauty of music, inspired by the power of the oceans.
Simone Young uncovers the hidden beauty of Brahms' German Requiem in this exquisite performance featuring Emma Matthews and Bo Skovhus.