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Classical Music, Orchestral
Live Review

Review: Stravinsky’s Ballets (Melbourne Symphony Orchestra)

The combined forces of MSO and ANAM under Chief Conductor Jaime Martín delivered a revelatory performance that brought the audience to its feet.

August 15, 2022
Jazz
Live Review

Review: Jeremy Rose’s Face to Face launch

The music played by the Jeremy Rose Quartet is a highly sophisticated form of contemporary jazz, and the appreciative audience listened intently.

August 15, 2022
Chamber, Classical Music
Live Review

Review: Z.E.N. Trio (Musica Viva Australia)

The three musicians are each magnificent in this wonderful concert; as a trio they are transcendent.

August 13, 2022
Classical Music, Instrumental
Live Review

Review: Sir Francis Burt Memorial Concert (St George’s Cathedral Concert Series)

This superb concert by Thomas Wilson on the West Organ, accompanied by video screens, opened the eyes – or ears – to a new world.

August 12, 2022
Theatre
Live Review

Review: Laurinda (Melbourne Theatre Company)

Mean Girls meets Freaky Friday in this adaptation of Alice Pung’s young-adult novel.

August 12, 2022
Theatre
Live Review

Review: Strange Case of Dr Jekyll and Mr Hyde (Sydney Theatre Company)

Another penetrating tour de force from an auteur director, this thrilling production demands and delivers in equal kind.

August 12, 2022
Classical Music, Orchestral
Live Review

Review: The Crowd & I (Australian Chamber Orchestra)

As the world resets, Tognetti makes a compelling statement about the fragility of life on Earth in this concert with striking video imagery.

August 11, 2022
Theatre
Live Review

Review: Chalkface (State Theatre Company South Australia)

Angela Betzien's new play is a study of bureaucracy, burnout and teachable moments.

August 11, 2022
Chamber, Classical Music, Instrumental, Orchestral
Live Review

Review: Beethoven’s Eroica (Australian Haydn Ensemble)

This fine concert featuring chamber arrangements of works by Wranitzky, Mozart and Beethoven provided a taste of live performances before the dawn of recorded sound.

August 9, 2022
Chamber, Classical Music
Live Review

Review: Festival Finale: Fond Farewells (Australian Festival of Chamber Music)

The AFCM’s Festival Finale was a fitting conclusion to the festival, with a pot-pourri of diverse musical pieces to suit all tastes.

August 9, 2022
Chamber, Classical Music
Live Review

Review: The Silver Screen (Australian Festival of Chamber Music)

An eclectic and quirky mix of musical gems and songs from film scores, offering both serious and light-hearted works, with many delightful moments.

August 8, 2022
Chamber, Classical Music
Live Review

Review: Oceans 13: Music out of the Blue (Australian Festival of Chamber Music)

The program’s promise of ‘music out of the blue’ delivered an overwhelmingly melancholic view of the beauty of music, inspired by the power of the oceans.

August 6, 2022
Classical Music, Instrumental
Live Review

Review: A German Requiem (Sydney Symphony Orchestra)

Simone Young uncovers the hidden beauty of Brahms' German Requiem in this exquisite performance featuring Emma Matthews and Bo Skovhus.

August 6, 2022

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