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Classical Music, Orchestral
Live Review

Review: Mid-Season Gala (Melbourne Symphony Orchestra)

Star cellist Sheku Kanneh-Mason gives an impressive performance in his Australian debut, while a work by Anne Boyd proves the perfect concert-opener.

July 31, 2022
Classical Music, Orchestral
Live Review

Review: Simone Young & Hilary Hahn (Sydney Symphony Orchestra)

Simone Young leads the SSO and three-time Grammy Award-winning violinist Hilary Hahn in a triumphant program of Prokofiev, Tchaikovsky and a world premiere by Cathy Milliken.

July 30, 2022
Opera, Theatre
Live Review

Review: My Self in That Moment (Chamber Made)

Both intriguing and alienating, this experimental performance interrogates the self in the digital age.

July 28, 2022
Chamber, Classical Music, Festivals
Live Review

Review: Croissants and Whiskey (Leaps and Bounds Festival)

Spanning nearly 400 years of music, this debut concert by Croissants and Whiskey heralds a new era in composition for the Baroque quartet.

July 26, 2022
Jazz
Live Review

Review: The Energy of Jazz (SIMA)

This concert was a rare opportunity to hear three extraordinary Australian saxophonists at the top of their game, on one program.

July 26, 2022
Chamber, Classical Music
Live Review

Review: The Archduke (Selby & Friends)

Not even a change in program and line-up could detract from this evening of exceptional musicianship.

July 22, 2022
Theatre
Live Review

Review: An Ideal Husband (La Boite Theatre Company)

Lewis Treston's bold and sexy reworking of the 1895 classic takes audiences on a Wilde night out in 90s Canberra.

July 22, 2022
Dance
Live Review

Review: Bespoke (Queensland Ballet)

The transporting experience of Queensland Ballet’s eclectic Bespoke starts at the enthralling entrance to the company's new, revamped home.

July 21, 2022
Classical Music, Orchestral
Live Review

Review: Simone Young conducts Mahler 2 (Sydney Symphony Orchestra)

SSO begins its 90th birthday celebrations with Mahler's Resurrection Symphony and a new commission by William Barton, as it reopens the SOH Concert Hall.

July 21, 2022
Chamber, Classical Music
Live Review

Review: KLASSIK underground: Different Trains (Illuminate Adelaide)

The success of this interdisciplinary concert series warrants its return in an expanded format.

July 18, 2022
Chamber, Classical Music
Live Review

Review: KLASSIK underground: Revolutionary Rhythms (Illuminate Adelaide)

KLASSIK underground's second concert created an immersive sound world through light and music by Ukrainian and Russian composers.

July 18, 2022
Chamber, Classical Music
Live Review

Review: KLASSIK underground: Transfigured Night (Illuminate Adelaide)

In its Australian debut, KLASSIK underground combined German expressionist music with live visuals.

July 18, 2022
Classical Music, Orchestral
Live Review

Review: Vasily Petrenko Conducts Elgar (Melbourne Symphony Orchestra)

The audience was grateful to watch such a remarkable maestro and the players clearly adore him.

July 16, 2022

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