Review: The Archduke (Selby & Friends)
Not even a change in program and line-up could detract from this evening of exceptional musicianship.
Not even a change in program and line-up could detract from this evening of exceptional musicianship.
Lewis Treston's bold and sexy reworking of the 1895 classic takes audiences on a Wilde night out in 90s Canberra.
The transporting experience of Queensland Ballet’s eclectic Bespoke starts at the enthralling entrance to the company's new, revamped home.
SSO begins its 90th birthday celebrations with Mahler's Resurrection Symphony and a new commission by William Barton, as it reopens the SOH Concert Hall.
The success of this interdisciplinary concert series warrants its return in an expanded format.
KLASSIK underground's second concert created an immersive sound world through light and music by Ukrainian and Russian composers.
In its Australian debut, KLASSIK underground combined German expressionist music with live visuals.
The audience was grateful to watch such a remarkable maestro and the players clearly adore him.
A powerful new production of Verdi’s drama of revenge is crowned by stirring music-making.
Brothers Miles and Ziggy Johnston are clearly at the start of a stellar career as a classical guitar duo.
This new co-production offers a feminist perspective, while Verdi’s glorious music and excellent singing shine through in a classic retelling of the story.
Relocating the action to a 21st-century school caused confusion at times, but it was still a joy to see this fine independent company performing with such commitment.
A joyful, golden-hued revival of Wesley Enoch and John Rodgers' homegrown Queensland musical.