Co-curators Anne Cawrse and Anna Goldsworthy have made an exceptional contribution to a paradigm shift in favour of Australian women composers.

Principal Guest Conductor Xian Zhang leads the MSO in an explosive rendition of Beethoven's iconic work.

Loud, frantic and utterly hyperactive, Top Coat features powerhouse performances and a dazzling script by Michelle Law.

The legendary artist takes us on an engrossing ride through the less-travelled roads of Australia’s musical heritage and identity.

There were some exciting new works in this concert. Occasionally the musical elements faltered, but nonetheless the joyousness of the choristers shone through.

This production is a bracing, sharp-witted and entertaining contemporary retelling of a provocative feminist classic, which still feels depressingly relevant.

Allchurch leads his fine ensemble in meticulous style offering songs for comfort, for entertainment and for change, sung from the heart.

A very good set of performances, with Marian Heckenberg joining the Quartet to play Dvořák’s String Quintet No 2, which was a highlight.

This was an uplifting concert of audience favourites, with a profoundly moving performance of Schumann's Piano Concerto by Alexander Gavrylyuk.

Simon Phillips and Tim Finn return with a bittersweet boutique musical about longing and regret.

The grandeur of this contemporary triple bill was blissful to watch.

A thought-provoking concert showcasing composer Cathy Milliken’s major new work and violinist Emily Sun’s virtuosity.