Catherine Alcorn and Phil Scott are consummate performers – and the songs are great – but this show didn't quite gel on a conceptual level.

Blending new and old works, this versatile program was given a superb performance; it was a shame that some of the audience weren't able to see the musicians.

Lots of interesting questions were raised by this 'opera' in Melbourne's Fed Square, but the execution was imperfect – and Melbourne's weather certainly didn't help.

Reflections on the Goldberg Variations in jazz/classical double bill that feels like two excellent halves, not necessarily a whole.

A beautifully-performed concert with a clever concept, connecting Bach’s music with speech and commentary.

WASO, Asher Fisch and soloist Daniel Müller-Schott offered a rich, well-crafted performance of Elgar's Cello Concert and Bruckner’s Third Symphony.

The premiere of Frances Rings' dance work was a seminal moment. Ten years on, it has lost none of its freshness and echoes a groundswell of newfound interest.

Hosted and conducted by Dane Lam, Queensland Symphony Orchestra's Opera Gala was one of exceptional quality, showcasing the talents of four of Australian opera's most exciting voices in a first-class concert program.

This celebration of Li Cunxin’s first decade leading Queensland Ballet delivers yet another impressive first by the company, and showcases the breadth of its performance range.

Energy abounds in Manifesto, Stephanie Lake’s thrilling work for nine drummers and nine dancers.

This live cinema experience about the loss of the video store is an original feat of Australian independent theatre, thoughtful and affecting.

Anna O'Byrne shines in her first solo show, a "loverly" production, which beguiles with its honesty and gorgeous vocals.