Review: Garrigarrang Badu (FORM Dance Projects, Sydney Opera House & Sydney Festival)
A tribute to Dharug culture is touching but uneven.
A tribute to Dharug culture is touching but uneven.
Hundreds surrender to the bliss of all-embracing dance, music and togetherness.
A recent little indie theatre hit about the hateful online “manosphere” returns, bigger but not better as the new, longer script dilutes this play’s impact.
This classy, respectful tribute to Stephen Sondheim is seamlessly staged and brilliantly performed by a top-notch cast.
A generalisation-busting provocation of the most joyous kind – kinetic, embracing and celebratory.
A spontaneous conversation between two artists results in a unique, shared experience.
Musically ravishing scenes of idyllic pastoral life, nymphs, fairies, love and courtly wit open the Mornington-Peninsula-based festival in fine style.
Performed outdoors, this comic pastiche of several plays by The Bard becomes increasingly frenetic, farcical and unfunny.
Opera Australia begins its 70th anniversary with the jewel in its crown restored and a musical reading to match.
This Broadway musical looks lovely but is bogged down in details, dreary songs, underwritten characters and perfunctory romance.
Accompanied by some of the world’s best acrobats, Alice’s journey down the rabbit hole is bound to thrill the young and young-at-heart.
Performances of great subtlety, sensitivity and nuance on a night when the softer instruments are allowed to shine.
MSO brings a welcome touch of Scandinavian savvy to Melbourne’s festive season.