Review: Vivaldi’s Venice (Australian Brandenburg Orchestra)
French harpist Xavier de Maistre brings flair and subtlety to Vivaldi's Venice.
French harpist Xavier de Maistre brings flair and subtlety to Vivaldi's Venice.
Seascapes, a wet acoustic, and a pianist who made a splash.
Graeme Murphy's new ballet is an imaginative feast for the eyes, igniting the senses, but it doesn't sustain emotional engagement.
A coming-of-age dance contest with a massive dose of teenage angst.
Iván Fischer's thrilling, instinctual BFO Mahler Five shows us what all the fuss is about.
Two years on, the Soweto Gospel Choir is soaring to even greater heights.
Fine performances and Sohan Ariel Hayes’ stunning visuals make for a magical Opera in the Park.
An explosive double-bill from Perth’s own STRUT Dance.
The MSO reached beyond the stars for its acrobatic opening gala.
David Williamson's final new play deals with sibling rivalry and assisted dying, but too much is simply expounded upon.
Soprano Vida Miknevičiūtė triumphs in this musically and visually exciting season opener.
Gerstein offers food for thought served up through the medium of a tangy Austro-Hungarian goulash.
The script may be pedestrian at times but the staging and puppetry is dazzling.