This production clearly fulfils choreographer Antony Hamilton's agenda to create images that help make sense of a wonky world.

The Australian Romantic & Classical Orchestra paired a great classic by Schubert with a lesser-known work by Eybler for a Viennese charm offensive.

Elena Carapetis's multi-media adaptation is supercharged drama of conscience.

At times during this stunning recital, Gillham played with such intimacy it felt as if the audience was eavesdropping on an artist playing for his own pleasure.

Composer Cyrus Meurant did not disappoint when he returned to the stage to perform his music with Andrew Smith and Kirsten Williams, in a display of artistic tenderness.

The second in the series of intimate concerts with members of the ACO shines a light on cellist Timo-Veikko 'Tipi' Valve.

The musicianship and skill of these young West Australian artists is undeniable, but on this occasion their attempts at experimentation didn't work.

This was a diligent and respectful performance of Rossini's "poor little Mass", but it lacked anything of the composer's wit and playfulness.

It is hard to find words to do justice to Jonathan Békés' magical performance with Mark Letonja and the TSO.

A fine concert of emotionally charged music featuring pianist Jayson Gillham.

Not a lot of spontaneity seemed permitted in the on-stage conversations, but this piece about disability, diversity and understanding brims with kindness, compassion and resolution.

The Australian premiere production nurtures this novella-like play’s intimacy and intrigue.