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Classical Music, Vocal & Choral
Live Review

Review: Austrian Encounters (Australian Boys Choir, The Vocal Consort, Australian Romantic & Classical Orchestra)

A neglected choral gem by Papa Haydn’s younger brother gets its first performance in 250 years, and what a magnificent piece it is.

May 23, 2022
Classical Music
Live Review

Review: Obscura II – milaythina (Tasmanian Symphony Orchestra)

This TSO concert was a celebration of our differences, our similarities, our histories and traditions.

May 23, 2022
Classical Music, Vocal & Choral
Live Review

Review: Mozart’s Requiem (Queensland Symphony Orchestra)

Election day Requiem overcomes death and politics to shine brightly.

May 23, 2022
Musical Theatre & Cabaret
Live Review

Review: Driftwood the Musical (Umbrella Productions)

This true story about artists fleeing the Holocaust is sincere to a fault.

May 23, 2022
Theatre
Live Review

Review: Harry Potter and the Cursed Child (Michael Cassel Group)

Significantly shorter than the original two-part production, this new take is just as magical.

May 20, 2022
Chamber, Classical Music, Orchestral
Live Review

Review: Miracles in the Age of Reason (Canberra Symphony Orchestra)

Benjamin Bayl leads Canberra Symphony Orchestra through a beautiful selection of baroque, and baroque-inspired, masterpieces.

May 20, 2022
Classical Music, Dance, Jazz
Live Review

Review: 2022 Australian Women in Music Awards Ceremony

A glossy awards evening celebrating the achievements of women in all facets of the music industry.

May 19, 2022
Musical Theatre & Cabaret, Theatre
Live Review

Review: Dubbo Championship Wrestling (Hayes Theatre Co)

This new Aussie rock musical is so outrageously funny it holds you in a head-lock until the final countdown.

May 19, 2022
Theatre
Live Review

Review: The Return (Malthouse Theatre)

The truth behind collections of First Nations remains is revealed in this disturbing new play.

May 19, 2022
Chamber, Classical Music
Live Review

Review: GLOW (Jasper Ly and Peter Dumsday)

This recital program, celebrating Melbourne talent, left the audience feeling a glow.

May 18, 2022
Classical Music, Festivals, Instrumental
Live Review

Review: The ANAM Set Opening Night (Australian National Academy of Music)

An outstanding survey of Australian new music, but caution is needed when it comes to categorising compositions.

May 16, 2022
Opera
Live Review

Review: La Serenata (Kang Wang and John Woods)

The stunning voice of Australian-Chinese lyric tenor, Kang Wang, shone through in a superlative recital as part of Opera Queensland’s Studio series.

May 16, 2022
Opera
Live Review

Review: Lohengrin (Opera Australia)

The stunning Jonas Kaufmann and his gifted colleagues rise above a problematic production.

May 16, 2022

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