Inspired by Debussy, three musicians have teamed up to devise an entire program of seven short-ish pieces by Australian composers for viola, flute and harp.

A new dance entertainment choreographed by Amy Campbell has megawatts of energy but insufficient focus.

A new work by Elliott Gyger, fearsome musicality from Paavali Jumppanen and a fond farewell to Leanne Glover made for a special concert.

After 25 years away from the stage, Dale Burridge makes a fabulous return in this funny, moving, entertaining cabaret show.

This new, big-hearted musical by Hannah Reilly and Megan Washington offers a nourishing if simple beam of hope.

Time stands still as Omega weave their magic far from the madding crowd.

Mozart’s much loved clarinet concerto brought skilfully to life in an enticing musical program by the QSO.

Nimble footed Clerici and his old band make a last-minute detour to Scotland.

Despite the best efforts of the actors, Belvoir's production of Caryl Churchill’s 1976 polemic is a bewildering waste of time and talent.

Bach’s magnificent Easter offering is given its due reward by a crack team.

The assured quality of Melbourne Bach Choir's performance belied the many pandemic-induced obstacles and sheer hard work it took to get there.

All the elements are there in Alana Valentine’s latest play, but Wayside Bride desperately needs further work to fulfil its promise.