Review: The Book of Mormon (Suzanne Jones for JONES Theatrical Group)
This excellent revival finds all the humour and all the heart in the outrageous, outrageously funny musical.
This excellent revival finds all the humour and all the heart in the outrageous, outrageously funny musical.
In a room tuned to chamber-sized work, David Williamson's Emerald City comes across as shouty and unsubtle.
Sjaella is an experience in superb singing and musicianship – melded with unique grace and presence.
A humane, darkly comic ride into the chaos of addiction – and out the other side.
Harold Pinter's famous love-triangle drama lacks some hard edges and sharp points.
A compelling folk-fantasy set in an imagined Wild West has its wings clipped by inconsistent performances and direction.
Orchestral colour and brilliance come to the fore as the TSO welcomes back Ukrainian-born pianist Alexander Gavrylyuk.
Kathryn Selby’s program of three extraordinary piano trios culminates in a profoundly affecting performance of a wartime Shostakovich classic.
A little night music with a slice of Vienna from homecoming pianist Joseph Havlat.
Nicole Car dazzles in Sarah Giles’s five-star staging of Dvořák’s masterpiece – the best in decades.
Every musician is afforded opportunities to shine in this expertly judged tribute to George Philipp Telemann.
Featured cellist Raphaela Gromes delivers a fresh and revelatory Dvořák Cello Concerto in a program billed as a "Journey to the Americas".
In a series of delightfully excruciating theatre games, the underlying hurts of five ordinary people are gently revealed.