A rich, authentic adaptation of the short story made famous by Streisand’s musical movie.

You may not sit on the edge of your seat but you'll have plenty of fun watching the amusing, inventive way Hitchcock's film has been adapted for the stage.

Despite fracturing his coccyx earlier in the day, Yonghoon Lee gave a bravura performance as Otello, with some inspired last-minute directorial changes to accomodate his injury.

This series of concerts was at times thrilling, but perhaps the idyllic location influenced some too-relaxed performances.

Quirky local works showcase the QSO’s brass and percussion sections.

In its latest concert, WASO delivered crowd-pleaser after crowd-pleaser, and gave each a masterful performance.

This ferociously funny satire reveals uncomfortable truths about white privilege.

This spectacular co-production of Halévy's 1835 opera couldn't have been grander, while offering a powerful reminder that everyone suffers when hate prevails.

David Williamson's Nearer The Gods is full of wit and wisdom, and an easy story to enjoy.

Anna Goldsworthy and Andrew Haveron combine Tolstoy and Beethoven to make a powerful statement about obsession and the objectification of women.

In a last minute addition to this year's Festival, Shamray and the ASQ gave an eloquent and refined performance.

Juliet & Romeo suffers from a confused concept, and unfortunately even the choreography and dancing are brought down by shallow writing and music.