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Classical Music
Live Review

Review: Resonance: Chamber Landscapes (UKARIA/Adelaide Festival)

This series of concerts was at times thrilling, but perhaps the idyllic location influenced some too-relaxed performances.

March 14, 2022
Chamber, Classical Music
Live Review

Review: Studio Sessions 1 (Queensland Symphony Orchestra)

Quirky local works showcase the QSO’s brass and percussion sections.

March 14, 2022
Classical Music, Orchestral
Live Review

Review: Asher Fisch Conducts The Rite of Spring (West Australian Symphony Orchestra)

In its latest concert, WASO delivered crowd-pleaser after crowd-pleaser, and gave each a masterful performance.

March 13, 2022
Theatre
Live Review

Review: Admissions (Melbourne Theatre Company)

This ferociously funny satire reveals uncomfortable truths about white privilege.

March 11, 2022
Opera
Live Review

Review: La Juive (Opera Australia)

This spectacular co-production of Halévy's 1835 opera couldn't have been grander, while offering a powerful reminder that everyone suffers when hate prevails.

March 10, 2022
Theatre
Live Review

Review: Nearer the Gods (Ensemble Theatre)

David Williamson's Nearer The Gods is full of wit and wisdom, and an easy story to enjoy.

March 10, 2022
Chamber
Live Review

Review: After Kreutzer (Anna Goldsworthy and Andrew Haveron/Adelaide Festival)

Anna Goldsworthy and Andrew Haveron combine Tolstoy and Beethoven to make a powerful statement about obsession and the objectification of women.

March 10, 2022
Chamber, Classical Music
Live Review

Review: Konstantin Shamray & Australian String Quartet (Musica Viva/Adelaide Festival)

In a last minute addition to this year's Festival, Shamray and the ASQ gave an eloquent and refined performance.

March 9, 2022
Dance
Live Review

Review: Juliet & Romeo (Lost Dog/Adelaide Festival)

Juliet & Romeo suffers from a confused concept, and unfortunately even the choreography and dancing are brought down by shallow writing and music.

March 8, 2022
Classical Music
Live Review

Review: Haydn’s Solar Poetics (Australian Haydn Ensemble/Adelaide Festival)

An inspired concert series showcasing the foundations of the Classical era of music

March 7, 2022
Dance
Live Review

Review: The Ninth Wave (The Farm, Co3 Contemporary Dance Company, Perth Festival)

The Ninth Wave is innovative, vigorous and cleverly contrived, with visions that will haunt you.

March 7, 2022
Chamber, Classical Music
Live Review

Review: Timo-Veikko Valve and Aura Go: Beethoven Cello Sonatas (Utzon Room, Sydney Opera House)

Across two concerts, Valve and Go showed how much extraordinary life and colour there is in Beethoven's cello sonatas.

March 7, 2022
Dance
Live Review

Review: The Rite of Spring/common grounds[s] (Adelaide Festival)

This momentous double bill was yet another must-see event in the opening weekend at the 2022 Adelaide Festival.

March 6, 2022

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