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Classical Music, Orchestral
Live Review

Review: Paradisum (Australian Brandenburg Orchestra)

This memorable performance of Fauré's Requiem offered balm for the soul in these bleak times.

March 6, 2022
Classical Music, Orchestral
Live Review

Review: Become Ocean (West Australian Symphony Orchestra, Perth Festival)

The program gave the combined orchestras of WASO and WAYO a unique opportunity to describe the sea in contemporary styles, as well as Britten's established depiction.

March 6, 2022
Classical Music
Live Review

Review: Beethoven & Bartók (Melbourne Symphony Orchestra)

The MSO and its new Chief Conductor are still feeling each other out, but Jaime Martín's ebullient and dynamic presence can't be ignored.

March 5, 2022
Opera
Live Review

Review: The Golden Cockerel (Adelaide Festival)

Barrie Kosky’s stupendous onstage cavalcade (featuring performers from Russia and Ukraine) is a masterful meditation on the lunacy that drives civilisations to ruin.

March 5, 2022
Classical Music, Opera
Live Review

Review: Watershed: The Death of Dr Duncan (Adelaide Festival)

The standing ovation and tears that greeted the world premiere of this oratorio about an infamous gay-hate crime are testimony for the need for such a work.

March 4, 2022
Chamber, Classical Music
Live Review

Review: Classical Vienna (Melbourne Chamber Orchestra)

Music-making of a high order in a concert featuring Haydn, Mozart, Vanhal and Stefan Cassomenos.

March 4, 2022
Theatre
Live Review

Review: Opening Night (Belvoir)

This stage adaptation of Cassavetes' film is skilfully reimagined, but lacklustre performances counteract the building tension.

March 4, 2022
Theatre
Live Review

Review: Stay Woke (Malthouse Theatre)

A Sri Lankan-Australian playwright drops some awkwardly funny truth bombs.

March 3, 2022
Theatre
Live Review

Review: Orange Thrower (Griffin Theatre Company/National Theatre of Parramatta)

Black is the new orange in this important, though flawed, new play.

March 3, 2022
Theatre
Live Review

Review: Girls & Boys (State Theatre Company South Australia)

Justine Clarke gives an utterly remarkable performance in this heart-rending one-woman play.

March 2, 2022
Dance
Live Review

Review: Anna Karenina (The Australian Ballet)

This new production, co-produced with Joffrey Ballet, has finally arrived in Melbourne to the great excitement of the audience.

February 28, 2022
Dance
Live Review

Review: The Sleeping Beauty (Queensland Ballet)

Gold Coast audiences have embraced Queensland Ballet’s arrival at its new second home with a sell-out season of its most popular ballet at HOTA.

February 28, 2022
Classical Music, Vocal & Choral
Live Review

Review: Brahms Ein deutsches Requiem (The Song Company)

Pocket edition of Brahms’s great humanitarian masterpiece is still writ large

February 28, 2022

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