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Theatre
Live Review

Review: At What Cost? (Belvoir)

Nathan Maynard's brilliant, spring-loaded script is so ready to be told, asking provocative questions about blood and belonging, truth and identity.

February 3, 2022
Classical Music
Live Review

Review: Piazzolla (Australian Chamber Orchestra)

James Crabb and the ACO give us the smell of steamy tangos on a hot February night

February 2, 2022
Theatre
Live Review

Review: An Evening with Anthony Warlow (QPAC and Queensland Symphony Orchestra)

Returning to the stage for the first time in two years, the singing icon shows he has lost nothing vocally and shares more about his life than ever before.

February 1, 2022
Theatre
Live Review

Review: Leopoldstadt (NT Live)

Tom Stoppard's latest (and possibly last) play, screening in Australian cinemas from 5 February, may not be his greatest but it may be his most valuable.

January 31, 2022
Opera
Live Review

Review: The Marriage of Figaro (Opera Australia)

Opera Australia marks Mozart’s 266th birthday with Figaro, and it would be hard to imagine a better celebration of the composer’s genius.

January 28, 2022
Dance
Live Review

Review: Jurrungu Ngan-ga (Marrugeku, Carriageworks)

This powerful new work from Indigenous intercultural dance company Marrugeku addresses life inside Australian immigration and detention centres.

January 28, 2022
Classical Music
Live Review

Review: 2022 Opening Gala (Australian Digital Concert Hall)

New year, new name, same winning formula for Australian concert platform

January 28, 2022
Dance
Live Review

Review: BIG: Ballet International Gala (Queensport Arts)

This Brisbane-produced independent production has overcome constant disruption to present the Australian debuts of international artists alongside our best local talent.

January 27, 2022
Film
Live Review

Review: Venus & Adonis (Sport for Jove)

Billed as a film about a play about a poem, Sport for Jove's Venus & Adonis is a luscious, visual feast and a remarkable achievement.

January 25, 2022
Theatre
Live Review

Review: Touching the Void (Melbourne Theatre Company)

This play dares to climb a mountain, but stumbles over life’s big questions.

January 23, 2022
Classical Music, Vocal & Choral
Live Review

Review: Night of the Soul (Sydney Philharmonia Choirs, Sydney Festival)

Lying on yoga mats, the audience drifted on waves of glorious sound in a blissful concert.

January 23, 2022
Theatre
Live Review

Review: Lizzie (Hayes Theatre Co., Sydney Festival)

This punchy rock musical about Lizzie Borden hurtles along in a production amplifying its queer female aspect and featuring four stunning performances.

January 22, 2022
Festivals
Live Review

Review: Acoustic Life of Boatsheds (Big hART, Sydney Festival)

Immersing audiences in the history of Sydney Harbour, with music specially created for each site, this show is everything you could want from a festival celebrating its city.

January 21, 2022

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