Review: At What Cost? (Belvoir)
Nathan Maynard's brilliant, spring-loaded script is so ready to be told, asking provocative questions about blood and belonging, truth and identity.
Nathan Maynard's brilliant, spring-loaded script is so ready to be told, asking provocative questions about blood and belonging, truth and identity.
James Crabb and the ACO give us the smell of steamy tangos on a hot February night
Returning to the stage for the first time in two years, the singing icon shows he has lost nothing vocally and shares more about his life than ever before.
Tom Stoppard's latest (and possibly last) play, screening in Australian cinemas from 5 February, may not be his greatest but it may be his most valuable.
Opera Australia marks Mozart’s 266th birthday with Figaro, and it would be hard to imagine a better celebration of the composer’s genius.
This powerful new work from Indigenous intercultural dance company Marrugeku addresses life inside Australian immigration and detention centres.
New year, new name, same winning formula for Australian concert platform
This Brisbane-produced independent production has overcome constant disruption to present the Australian debuts of international artists alongside our best local talent.
Billed as a film about a play about a poem, Sport for Jove's Venus & Adonis is a luscious, visual feast and a remarkable achievement.
This play dares to climb a mountain, but stumbles over life’s big questions.
Lying on yoga mats, the audience drifted on waves of glorious sound in a blissful concert.
This punchy rock musical about Lizzie Borden hurtles along in a production amplifying its queer female aspect and featuring four stunning performances.
Immersing audiences in the history of Sydney Harbour, with music specially created for each site, this show is everything you could want from a festival celebrating its city.