Sport for Jove introduced itself to metropolitan Sydney audiences with As You Like It back in 2009, and this production retains the infectious charm of the first.

IOpera provide a well-conceived and pleasurably diverting picture of Handel’s little masterwork, showing that young blood is inspiring the future of opera in Australia.

An invigorated Queensland Ballet ends the year on a high note of enthusiastic excellence.

Duo Eclettico beautifully navigated two large-scale, highly difficult and complex works by Ross Edwards and Jane Hammond so that they seemed nearly effortless

Take some of the best bits of Love Actually and add some topical cheekiness and Christmas cheer for a jolly good time for all.

Shamray’s recital – featuring works by Debussy, Rachmanninov, Ravel and Scriabin – was a thrilling and profound experience of programming and performance.

It’s beginning to look a lot like Christmas as The King’s Singers are back live.

The MSO Chorus returns, bringing joy to the end of a diabolical year.

A major new choral work by Richard Mills, on the themes of the birth of Jesus and our contemporary troubles, is magnificently performed.

Trio Argenti (almost) concludes the 2021 BMF with an intriguing choice of repertoire.

William Hennessy chose the intimate setting of a string quartet recital to make his last musical statement as MCO’s Artistic Director – and a very fine concert it was too.

The annual festive fixture includes a world premiere, several carols and some delightful inclusions, but some distractions too.