Review: Born on a Thursday (New Ghosts Theatre Company)
Sharon Millerchip shines in this modest but affecting kitchen-sink drama.
Sharon Millerchip shines in this modest but affecting kitchen-sink drama.
Contrasting immersive theatrical magic with gothic darkness, Melbourne’s new theatrical tradition has the power to banish the “humbug” out of any Scrooge.
A riotous collection of songs and stories studded with hilarious quips, dirty jokes, poignant social commentary and oversharing.
The third and final leg of a hugely satisfying journey through one of classical music’s most significant achievements.
The spirit of Benny Goodman shines on as Omega Ensemble sees the year out with plenty of swing.
A thoughtfully curated program unfolds with a naturalness that makes even the most demanding moments feel effortless.
Pocket-sized productions commenting remorselessly on the nature of relationships and material aspirations.
A brilliant celebration of music as a tool for storytelling, remembering and reckoning.
A luminous, technically fearless recital revealing the impressionistic depths of Szymanowski and Beach.
Piano works by the master showcased by a true poet of the keyboard.
Consummate control, supreme concentration and a spellbinding end to QSO's 2025 season.
Leaning into Chinese diaspora identity, elements of Merlynn Tong's musical play may be incomprehensible for some, but the humour and pathos will chime with most.
The fresh sounds, harmonies and improvisations Erin Helyard infuses into this production turn the old into something new and extraordinary.