Review: Myths (Brisbane Music Festival)
A luminous, technically fearless recital revealing the impressionistic depths of Szymanowski and Beach.
A luminous, technically fearless recital revealing the impressionistic depths of Szymanowski and Beach.
Piano works by the master showcased by a true poet of the keyboard.
Consummate control, supreme concentration and a spellbinding end to QSO's 2025 season.
Leaning into Chinese diaspora identity, elements of Merlynn Tong's musical play may be incomprehensible for some, but the humour and pathos will chime with most.
The fresh sounds, harmonies and improvisations Erin Helyard infuses into this production turn the old into something new and extraordinary.
Tongue-in-cheek fun yet sobering, this new play by Andrea Gibbs reminds us that even at Christmas, miracles are in short supply.
A thoughtful blending of two very Melburnian musical institutions, but an end result that falls just shy of inspiring.
Bristling with theatre scene in-jokes, a new adaptation of Anton Chekhov's classic pecks at the established order.
Joy unconfined as Simone Young brings SSO’s season to a spectacular close.
Czech pianist Lukáš Vondráček electrifies a journey of discovery into the music of classical music's titan.
Stellar musicianship and extraordinarily close connection make for a compelling performance.
With a high degree of difficulty, the inaugural cohort of OA’s revitalised Young Artist Program more than prove they are ready for their mainstage debuts.
Alex Raineri’s program of contemporary piano works blends virtuosity and fearlessness at Brisbane Music Festival 2025.