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Dance
Live Review

Review: Jurrungu Ngan-ga (Marrugeku, Carriageworks)

This powerful new work from Indigenous intercultural dance company Marrugeku addresses life inside Australian immigration and detention centres.

January 28, 2022
Classical Music
Live Review

Review: 2022 Opening Gala (Australian Digital Concert Hall)

New year, new name, same winning formula for Australian concert platform

January 28, 2022
Dance
Live Review

Review: BIG: Ballet International Gala (Queensport Arts)

This Brisbane-produced independent production has overcome constant disruption to present the Australian debuts of international artists alongside our best local talent.

January 27, 2022
Film
Live Review

Review: Venus & Adonis (Sport for Jove)

Billed as a film about a play about a poem, Sport for Jove's Venus & Adonis is a luscious, visual feast and a remarkable achievement.

January 25, 2022
Theatre
Live Review

Review: Touching the Void (Melbourne Theatre Company)

This play dares to climb a mountain, but stumbles over life’s big questions.

January 23, 2022
Classical Music, Vocal & Choral
Live Review

Review: Night of the Soul (Sydney Philharmonia Choirs, Sydney Festival)

Lying on yoga mats, the audience drifted on waves of glorious sound in a blissful concert.

January 23, 2022
Theatre
Live Review

Review: Lizzie (Hayes Theatre Co., Sydney Festival)

This punchy rock musical about Lizzie Borden hurtles along in a production amplifying its queer female aspect and featuring four stunning performances.

January 22, 2022
Festivals
Live Review

Review: Acoustic Life of Boatsheds (Big hART, Sydney Festival)

Immersing audiences in the history of Sydney Harbour, with music specially created for each site, this show is everything you could want from a festival celebrating its city.

January 21, 2022
Theatre
Live Review

Review: An American in Paris (GWB Entertainment, The Australian Ballet)

With its themes of triumph over adversity and romantic escapism, the lavish musical is wonderful entertainment and a tonic for the times.

January 21, 2022
Dance, Vocal & Choral
Live Review

Review: Wudjang: Not the Past (Bangarra Dance Theatre, Sydney Theatre Company)

Stephen Page's breathtaking, final production as Bangarra AD, combines dance, spoken word and song, and takes the company into exciting new territory.

January 21, 2022
Circus, Classical Music, Orchestral
Live Review

Review: Italian Baroque with Circa (Australian Brandenburg Orchestra, Sydney Festival)

Italian Baroque with Circa is an uncomplicated hit in this year’s festival of complications and setbacks.

January 20, 2022
Theatre
Live Review

Review: The Wedding Singer (David Venn Enterprises)

Based on the film, the musical is an unashamedly lightweight piece, but it offers plenty of escapist, nostalgic, 80s fun.

January 19, 2022
Theatre
Live Review

Review: Who’s Afraid of Virginia Woolf? (State Theatre Company South Australia, Sydney Festival)

This production attempts to update the themes and speak their relevance to an Australian audience, but doesn't quite succeed.

January 15, 2022

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