In an ambitious program, the orchestra lifted itself magnificently to match the brilliant standard of young pianist Shuan Hern Lee.

With graceful, discreet and precise conducting from Madeleine Easton, Bach Akademie brings rich life to Bach's allegorical music, from celestial heights to the depths of despair.

Johannes Fritzsh returns to WASO to conduct Haydn's 'Miracle' Symphony, Beethoven's Fifth and Schumann's exhilarating Konzertstück for four horns and orchestra.

Director Ian Michael offers a raging, harsh new production of Angus Cerini's play with its clipped, repetitive poetry powerfully delivered by three women of colour.

The Sydney Celebration Gala was not just a welcome surprise, but a reminder of what a truly world-class company we have, and how much we have to look forward to in 2022.

This latest iteration never rose above the moderately amusing, though many fans in the audience clearly enjoyed every minute.

The ASO's Festival of Orchestra got off to a thrilling start with a lively classical program designed for a broad audience.

This joyous, warm-hearted performance is just what we need in these not quite yet post-COVID times.

Baz Luhrmann's musical movie is reborn as a stunning stage production.

This interpretation is more about romance than horror, showing the legendary character’s quest for the ultimate love bite.

Bartsch's Merlyn Myer Commission, along with arrangements of selections from her solo classical/jazz hybrid albums, provides a subtle submergence in a range of lush lullabies and flowing lattices of chamber writing.

This is a silly play for the silly season, tipsily leaning to the left. If you go with the good intention to have good time, there's a very good chance you will.