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Instrumental, Uncategorised
Live Review

Review: The Princess Theatre Opening 2.0 with Collar

This spectacular re-opening heralds great things for Brisbane’s music scene.

October 29, 2021
Chamber, Classical Music
Live Review

Review: Shivers on Speed (Ensemble Offspring)

Ensemble Offspring is back with its latest batch of high energy new works.

October 29, 2021
Musical Theatre & Cabaret, Theatre
Live Review

Review: Merrily We Roll Along (Luckiest Productions and Hayes Theatre Co)

Dean Bryant directs yet another sensational production for the Hayes Theatre Co with a brilliantly staged, moving version of Sondheim's musical.

October 27, 2021
Audiovisual, Dance
Live Review

Review: On View: Panoramic Suite (Sue Healey, Liveworks Festival of Experimental Arts)

A new, experimental arrangement of Sue Healey’s iconic moving-image portraiture.

October 26, 2021
Opera
Live Review

Review: The Marriage of Figaro (West Australian Opera)

Amidst this fast-paced, and at times mad reading of Mozart’s masterpiece, the opera ultimately triumphs, with Jeremy Kleeman particularly impressive as Figaro.

October 25, 2021
Classical Music, Orchestral
Live Review

Review: Breathtaking Tchaikovsky (Queensland Symphony Orchestra)

There were no surprises in this concert featuring two excellent, well-known pieces but there was satisfying playing all round.

October 24, 2021
Theatre
Live Review

Review: Return to the Dirt (Queensland Theatre)

An award-winning new Australian play by Steve Pirie offers an insight into the funeral industry.

October 22, 2021
Festivals
Live Review

Review: Destinations (Belle Chen, OzAsia Festival)

An absorbing performance by a unique musical innovator.

October 22, 2021
Classical Music, Instrumental
Live Review

Review: Jayson Gillham in Recital (Andrew McKinnon Presentations)

In his first visit to the Top End, Jayson Gillham gave a dazzling recital of Bach transcriptions and his own favourite Chopin works.

October 12, 2021
Classical Music
Live Review

Review: Dreams and Passions (Konstantin Shamray, Adelaide Symphony Orchestra)

Johannes Fritzsch handles a seemingly disparate program beautifully, while Konstantin Shamray's performance of difficult concerto will be talked about for years to come.

October 11, 2021
Chamber, Classical Music
Live Review

Review: Blue Silence (Ensemble Offspring)

Blue is the healing colour and Ensemble Offspring's new online concert offers balm for lockdown-weary souls.

October 10, 2021
Dance
Live Review

Review: Bespoke 2021 (Queensland Ballet)

This diverse quartet of works shows the depth and range of Queensland Ballet’s company and student ranks – some in surprising new ways.

October 8, 2021
Live Review

Review: Animal Farm (Black Swan State Theatre Company)

A good night at the theatre, performed by a terrific cast of three, although the production has no clear political target.

October 8, 2021

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