World premieres of new works by five young composers mark Omega’s return to the stage.

St. George’s Cathedral Concert Series gave its audience an early Christmas gift this year; the inaugural performance of Sonus Angelorum, a new professional upper voice female choir based at the cathedral.

Kanen Breen dazzles in a riotous production of Rameau’s comedy directed by Neil Armfield.

With superb orchestral playing, the line-up of around 200 passionate performers completely convinced in Orff's vital and lusty cantata.

In an ambitious program, the orchestra lifted itself magnificently to match the brilliant standard of young pianist Shuan Hern Lee.

With graceful, discreet and precise conducting from Madeleine Easton, Bach Akademie brings rich life to Bach's allegorical music, from celestial heights to the depths of despair.

Johannes Fritzsh returns to WASO to conduct Haydn's 'Miracle' Symphony, Beethoven's Fifth and Schumann's exhilarating Konzertstück for four horns and orchestra.

Director Ian Michael offers a raging, harsh new production of Angus Cerini's play with its clipped, repetitive poetry powerfully delivered by three women of colour.

The Sydney Celebration Gala was not just a welcome surprise, but a reminder of what a truly world-class company we have, and how much we have to look forward to in 2022.

This latest iteration never rose above the moderately amusing, though many fans in the audience clearly enjoyed every minute.

The ASO's Festival of Orchestra got off to a thrilling start with a lively classical program designed for a broad audience.

This joyous, warm-hearted performance is just what we need in these not quite yet post-COVID times.