Tapping into the tech-driven zeitgeist, Forgery takes audiences on a wild and wacky ride where human imagination one-ups AI.

In an uplifting and joyous final concert, Ensemble Q soared to new heights with their sublime renditions and humorous execution of music composed in times of adversity. 

Simon Stone's sexting Tristan may be baffling but Skelton, Stemme and Rattle demand to be heard.

Opera Queensland’s Eastern Promises recital for soprano and piano, performed by Alexandra Flood and Alex Raineri, offered an ambitious program of art song.

Greg Horman's version, set in South Australia, is a ravishing visual spectacle and a great night out.

Dean Walsh makes a compelling case for marine protection.

Like the Bond movies, Skyfall is a cocktail of suave, camp escapism and sterling star power, which it skilfully shakes into a potent musical martini.

Love Stories is an insightful masterpiece of people’s emotive expressions on the enigma of love.

WASO's performance of Shostakovich's Symphony No 5 was met with rapturous cheers, as was the cheeky farewell to retiring double bassist Andrew Tait.

A pleasant sunset cruise with a pop-up performance, an art installation and a soundscape were each enjoyable in their own right but there was little transition between them.

Big suits, big stakes and big lies collide in this exceptional revival of David Mamet's ageless classic.

This beautifully balanced concert program by Camerata delivers a fine musical and vocal interpretation of The Conference of the Birds, with added visual elements.