With Ólafsson and Mozart, pianists and their programs are rarely as engrossing.

Amidst a beautifully curated program, the premiere of a new work by Cara Zydor Fesjian offers absorbing and thought-provoking listening.

West Australian Symphony Orchestra and Guest Director Shaun Lee-Chen delivered an excellent mix of Baroque delights: crowd-pleasers, showstoppers and rarer gems.

This highly entertaining, accessible new family opera, performed in the Noongar language with surtitles, deserves further performances and exposure.

Few performances of Schubert's 'Trout' come close to this hour-long slice of heaven from the Australian Chamber Orchestra. 

ELISION’s regular members are superbly captured in close-up as they perform on both conventional and unusual instruments in the Performance Series on YouTube.

This enjoyable film, based on the British stage musical, tells a sweet, uplifting story about winning out over adversity.

Enrapturing, disturbing and bleak, this visual-art-meets-theatre production explores the implosion of a couple in episodic, abstract fashion.

Tapping into the tech-driven zeitgeist, Forgery takes audiences on a wild and wacky ride where human imagination one-ups AI.

In an uplifting and joyous final concert, Ensemble Q soared to new heights with their sublime renditions and humorous execution of music composed in times of adversity. 

Simon Stone's sexting Tristan may be baffling but Skelton, Stemme and Rattle demand to be heard.

Opera Queensland’s Eastern Promises recital for soprano and piano, performed by Alexandra Flood and Alex Raineri, offered an ambitious program of art song.