Review: Hamilton (Richard Rodgers Theatre, Broadway)
Does hip-hop US history musical live up to the hype? And then some.
Does hip-hop US history musical live up to the hype? And then some.
Such fine advocacy of Australian music augurs well for the future.
An infectious interactive experience from which there's no escape, even for the cautious bystander.
A fateful phone call between an aging star and an emerging starlet becomes the vehicle for an unforgettable evening of exquisite cabaret.
A passionate rendition of Dvořák’s Cello Concerto headlines an impressive program.
Violinist Sonja Schebeck breathes fire into this spectacular double bill.
Helen Dallimore delivers the gold at end of the rainbow.
A captivating exercise in listening, for players and audience alike.
A truly memorable recital in which brilliant technique was used not to blind, but to illuminate.
A soprano's highly welcome return shows her mastery of the recital stage.
A winning musical combination to fight the winter blues.
Magical performances of romantic classics leave the audience spellbound.
Shakespeare’s star-cross’d lovers return to the stage with a few modern touches.