Elim Chan's nuanced and spirited conducting and Alexander Gavrylyuk's pianistic brilliance made for a perfect partnership.

Retaining the same cast since its 2010 premiere, the passing years have been kind to David Williamson's last-chance-for-love rom com.

Caryl Churchill’s dozens of disparate scenes and countless characters prove an insurmountable challenge.

Stephen Hough revives the pianist-composer tradition in grand style in the wondrously musical final concert of the ASO’s engrossing Brahms series.

Music from great composers born in the same year makes for a zesty survey of the German, French and Italian Baroque styles.

In the ASO’s sell-out season of Brahms symphonies, it was Stephen Hough’s performance of Grieg’s piano concerto that completely enthralled.

Given the title and the content, giving this a star rating seems as crazy an exercise as the show itself.

Just a breath away in this Sydney micro-venue, but Shamray shows that poetry and strong hands know no boundaries. 

Amy Herzog's drama about a single mom coping with a seriously ill child presented with a perfect bedside manner.

Ethereal majesty, cinematic power and childlike glee as Sigur Rós light Vivid’s candle.

Max Gillies interprets three short works by Jack Hibberd, Samuel Beckett and Anton Chekhov with mixed results.

Matthew Lutton's farewell production fails to fly, with Du Maurier's apocalyptic vision blurred by the immersive headphone experience.