It was a bolstering experience to see the Melbourne Symphony Orchestra so match-fit under the baton of Lawrence Renes, despite recent turbulence due to COVID.

Band aid for musicians as virtual concerts support 20 artists who have lost their gigs through lockdown

Dennis Vaughan's one-man opera, based on Edgar Allan Poe's macabre tale, is powerfully performed in this State Opera South Australia production, staged in a unique setting.

Hot French playwright’s comedy fails to fire in this production starring Stephen Curry.

In his fantastic new cabaret, Alan Cumming bares his soul while discussing ageing and death; and shows he's someone "who's going like Elsie" and won't be caught sitting alone in his room.

Headlined by William Barton’s powerful world premiere for didgeridoo and orchestra, the Queensland Symphony Orchestra delivered a first-class program of classics and new work.

The West Australian Orchestra, conductor Asher Fisch and soloists Elena Perroni and Adrian Tamburini navigated Brahms' German Requiem beautifully.

The West Australian Ballet’s triple bill State is a program of wit, humour, inventiveness, beauty, first-rate choreographic drive and passion, and sheer entertainment.

The inaugural Sunshine Coast Chamber Music Festival gets off to a promising start.   

Eddie Perfect reflects on negative reviews, critics, making it on Broadway and enduring COVID lockdown in his terrific cabaret show Introspective.

This was an elegant, well-programmed concert by Canberra Symphony Orchestra, with the world premiere of Kim Cunio's CO2 and the Ice Core the clear highlight.

This generous, well-chosen overview of Australian composition by women, curated by Anne Cawrse for Adelaide Symphony Orchestra's She Speaks, was eloquently and sympathetically played.