In his fantastic new cabaret, Alan Cumming bares his soul while discussing ageing and death; and shows he's someone "who's going like Elsie" and won't be caught sitting alone in his room.

Headlined by William Barton’s powerful world premiere for didgeridoo and orchestra, the Queensland Symphony Orchestra delivered a first-class program of classics and new work.

The West Australian Orchestra, conductor Asher Fisch and soloists Elena Perroni and Adrian Tamburini navigated Brahms' German Requiem beautifully.

The West Australian Ballet’s triple bill State is a program of wit, humour, inventiveness, beauty, first-rate choreographic drive and passion, and sheer entertainment.

The inaugural Sunshine Coast Chamber Music Festival gets off to a promising start.   

Eddie Perfect reflects on negative reviews, critics, making it on Broadway and enduring COVID lockdown in his terrific cabaret show Introspective.

This was an elegant, well-programmed concert by Canberra Symphony Orchestra, with the world premiere of Kim Cunio's CO2 and the Ice Core the clear highlight.

This generous, well-chosen overview of Australian composition by women, curated by Anne Cawrse for Adelaide Symphony Orchestra's She Speaks, was eloquently and sympathetically played.

Easton and friends take us on a journey through perfection and show us the nature of keys.

Deborah Cheetham's new family opera, produced by Victorian Opera, is a delightful, insightful work that you can now view digitally on demand. Let's hope it is able to play live soon.

In Lewis Treston's compassionate Follow Me Home, the stories of young homeless people are brought from the margins to centre stage, and the characters are treated with dignity.

In their first tour as a trio for Musica Viva, Nicolas Fleury, Emily Sun and Amir Farid prove to have a highly sympathetic partnership as they play Mozart, Brahms and a world premiere by Gordon Kerry.