This new Australian play by Finegan Kruckemeyer provides thought provoking theatre about the fallout from a global warming solution.

Part Scandi-noir thriller, part Ancient Greek drama, Kaija Saariaho's Innocence makes for persuasive music theatre.

Former Chief Conductor Nicholas Braithwaite steps in and shows his relationship with the Adelaide Symphony is as strong as ever.

First performed by Steamworks Arts in 2001, the same actors reprise their roles in Alana Valentine's powerful play about emotional conflict.

It was all firing rockets, flashing light sabres and tooting old-fashioned French car horns in this sold-out Canberra Symphony Orchestra concert.

Introduce yourself to Scottish Ballet via three new dance films in Marquee TV’s free Summer Shorts Festival.

Portraying scenes and places from around the world, Camerata’s Landscapes concert offered a mixed and not entirely successful musical program.

Oksana Lyniv and Asmik Grigorian play blinders in Tcherniakov's revenger's tragedy at Bayreuth.

La Boite’s CAESAR pulls apart not only Shakespeare’s text, but the process and shortcomings of theatre making itself.

Stars align for a stellar new work by an old master, composed for violin virtuoso Anne-Sophie Mutter.

While the classic musical still shines, the seething undercurrent of passion, frustration and aggression is generally lacking in this production, despite some powerful moments.

A magical VR realisation of the compelling music by William Barton and the Australian String Quartet.