The Tasmanian String Quartet emerged because of the impact of COVID-19 on music in Tasmania, and is proving to be an impressive chamber ensemble.

WASO treated audiences to a warm, colourful program showcasing the sonic range and artistry of Latin American orchestral works.

The Little Prince is so ingenious in conception and seemingly effortless in execution, it will continue to glow inside audience members who see it.

The concert from The Song Company, which features a new arrangement of Gavin Bryars' minimalist classic, Jesus' Blood Never Failed Me Yet, is fascinating acoustically and visually.

This compelling, thought-provoking program was given a truly engaging concert by the Sydney Symphony Orchestra under conductor Fabian Russell.

Angela Goh extends her 2020 Keir Choreographic Award-winning solo and makes another winner.

First staged in 1995, this landmark Australian play still has plenty to say, though there is room for more emotional depth in this production.

The unnaturally long and testing gestation of Australasian Dance Collective’s world premiere season Three forms a frame that echoes the triple bill’s ever-timely themes.

A high-tech movement and sound installation that prioritises form over substance.

Now into its 36th year, the Australian String Quartet continues to evolve, develop and re-energise the genre, as it shows in this impressive concert.

This year's brilliantly programmed and performed Coriole Festival showed that Australian music is indeed alive and well.

The University of Queensland Music School reaches a new height of achievement with its performance of Beethoven’s glorious Symphony No 9.