Review: La Clemenza di Tito (National Opera)
Canberra's new National Opera makes an impressive debut with a handsome production and some mouthwatering vocal artistry.
Canberra's new National Opera makes an impressive debut with a handsome production and some mouthwatering vocal artistry.
A roundly entertaining and sumptuous-looking comic foray into the false calls of nostalgia.
Hail to the sing for the Australian Vocal Ensemble’s glittering launch.
A thrilling, tantalising theatrical adventure through an Elsinore very different to Shakespeare’s.
Sublime moments were there for the taking at this year's Four Winds Festival, as strangers became friends.
Senior citizens cut a rug in this musical about growing old disgracefully.
The Australian Ballet returns triumphant with a fresh take on 20th-century canon.
Sydney Philharmonia Choirs' lost season is resurrected by the power of the Passion.
Quickly adjusting its program because of COVID, Jessica Cottis conducted a starry performance, with music ranging from the majestic to the witty to the light-hearted.
Emily Granger and Joshua Batty headline a delightful evening of art, wine, conversation and music at the Ken Done Gallery.
Duruflé's Requiem and Bach's Easter Oratorio were conducted with uncomplicated authority by Joseph Nolan.
With Richard Tognetti and his players embracing change, Bach and the Beyond certainly feels like a taste of things to come.
Rowell and the MSO make an ideal match for Sutherland's epic concerto.