Review: GRIMM (Sydney Choreographic Ensemble)
Francesco Ventriglia makes an exciting entré into the Sydney dance scene with the world premiere of GRIMM by the newly formed Sydney Choreographic Ensemble.
Francesco Ventriglia makes an exciting entré into the Sydney dance scene with the world premiere of GRIMM by the newly formed Sydney Choreographic Ensemble.
Pitched to "women of a certain age", Debra Oswald's solo show will deliver a fine time for many, but could do with a bit of a trim.
An awe-inspiring event from the Queensland Symphony Orchestra, with Joseph Nolan pulling out all the stops.
A heart-warming, inclusive event with great potential as a model for integrating music and social change.
Canberra's new National Opera makes an impressive debut with a handsome production and some mouthwatering vocal artistry.
A roundly entertaining and sumptuous-looking comic foray into the false calls of nostalgia.
Hail to the sing for the Australian Vocal Ensemble’s glittering launch.
A thrilling, tantalising theatrical adventure through an Elsinore very different to Shakespeare’s.
Sublime moments were there for the taking at this year's Four Winds Festival, as strangers became friends.
Senior citizens cut a rug in this musical about growing old disgracefully.
The Australian Ballet returns triumphant with a fresh take on 20th-century canon.
Sydney Philharmonia Choirs' lost season is resurrected by the power of the Passion.
Quickly adjusting its program because of COVID, Jessica Cottis conducted a starry performance, with music ranging from the majestic to the witty to the light-hearted.