Review: Much Ado About Nothing (Melbourne Theatre Company)
This fresh take on the classic rom-com reminds us that Shakespeare’s women have always been sharper, funnier and freer than their world allowed.
This fresh take on the classic rom-com reminds us that Shakespeare’s women have always been sharper, funnier and freer than their world allowed.
Fearless directorial choices pay off in a spellbinding staging of a Tennessee Williams classic.
This surreal twist on Shakespeare’s bloodiest play makes bold creative choices, but does it cut to the heart?
Wild dogs and new tricks as Circa bounds back into Brisbane.
A box set binge of Bach as Madeleine Easton’s Akademie takes on all six Brandenburgs.
A triumphant Australian debut showcases the American mezzo-soprano's ability to identify with her program's emotional content.
A chamber music concert responding to an exhibition about time makes for a highly cerebral experience.
Two of the world’s best Nibelungs and a stunning Brünnhilde debut raise the bar as Young’s already outstanding Ring Cycle continues.
Scaled up for big rooms, Sarah Goodes’ production reveals the operatic peaks and precipices of Edward Albee's masterpiece.
The Australian Ballet’s stylish, sophisticated triple bill raises the bar.
Sublime late Brahms, plus storied works by Bach and Beethoven, from the deeply thoughtful pianist Piotr Anderszewski.
Lovecraftian puppets and pirates clash with sci-fi sensibilities and pulp-radio-drama stylings in this absurd new show.
Drawing on a deep reservoir of sadness and anger, So Young is a finely tuned study in discomfort.