A chamber music concert responding to an exhibition about time makes for a highly cerebral experience.

Two of the world’s best Nibelungs and a stunning Brünnhilde debut raise the bar as Young’s already outstanding Ring Cycle continues.

Scaled up for big rooms, Sarah Goodes’ production reveals the operatic peaks and precipices of Edward Albee's masterpiece.

The Australian Ballet’s stylish, sophisticated triple bill raises the bar.

Sublime late Brahms, plus storied works by Bach and Beethoven, from the deeply thoughtful pianist Piotr Anderszewski.

Lovecraftian puppets and pirates clash with sci-fi sensibilities and pulp-radio-drama stylings in this absurd new show.

Drawing on a deep reservoir of sadness and anger, So Young is a finely tuned study in discomfort.

Paris in the 1920s comes vividly to life in the ACO’s stylish and inventive homage to Cocteau and Les Six.

Eddie Perfect and Dean Bryant deliver a dazzling, irreverent celebration of Australian showbiz history.

Decibel immerses its audience in sound and shadow with Lionel Marchetti’s haunting work of musique concrète.

Playful to a dizzying degree, this rarely performed Australian work merges the life of Lewis Carroll and his nonsense poem The Hunting of the Snark.

Fabulous performances and sumptuous staging; it's a swipe right for Laura Murphy's TikTokky take on Shakespeare's A Midsummer Night’s Dream.