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Supported by City of Sydney

Review: Handel’s Rome (Australian Brandenburg Orchestra)

An emphatic, energetic start to a new year with the first subscription concert for 2021.

February 26, 2021
Theatre
Live Review

Review: The Boy Who Talked To Dogs (Slingsby, State Theatre Company South Australia, Adelaide Festival)

World Premiere proves love is a four-legged word.

February 26, 2021
Theatre
Live Review

Review: Young Frankenstein (Hayes Theatre Co)

Alexander Berlage's colour saturated, overblown production of Mel Brooks' musical doesn't quite find its groove though there's still much to enjoy.

February 24, 2021
Theatre
Live Review

Review: A German Life (Adelaide Festival)

This Australian premiere rightly challenges us to the point of discomfort, raising more questions than it answers.

February 24, 2021
Opera
Live Review

Review: The Sleeping Beauty (Victorian Opera)

In a welcome return, The Sleeping Beauty has re-awakened, and Victorian Opera’s long-awaited 2021 season has finally begun.

February 24, 2021
Classical Music, Opera
Live Review

Review: Tosca (Opera Australia)

Carmen Giannattasio makes an impressive Opera Australia debut in John Bell’s dramatic production.

February 23, 2021
Chamber, Classical Music
Live Review

Review: Souvenirs de Aranjuez (Southern Cross Soloists)

SXS's season opener with Slava Grigoryan proved an amiable, enjoyable concert with a fascinating new work for guitar and chamber orchestra by Natalie Nicolas.

February 23, 2021
Classical Music, Opera
Live Review

Review: The Little Mermaid (Freeze Frame Opera, Perth Festival)

Freeze Frame Opera presents an operatic Play School and has a whale of a time.

February 22, 2021
Dance
Live Review

Review: Archives of Humanity (Co3 Contemporary Dance Company, Perth Festival)

An all-encompassing, explosive, emotional experience that mines the pain and glory of human existence.

February 22, 2021
Classical Music, Orchestral
Live Review

Review: String Fantasy (The Metropolitan Orchestra)

The Met comes up with a neat, COVID-safe solution.

February 22, 2021
Classical Music, Orchestral
Live Review

Review: Arabian Nights (Queensland Symphony Orchestra)

The Queensland Symphony Orchestra’s first Maestro Concert for 2021 was a sure-fire winner, perfectly delivered.

February 22, 2021
Classical Music, Vocal & Choral
Live Review

Review: Hymns for End Times (Perth Festival)

Rachael Dease's songs are moving, haunting, dark and ultimately unshakeable.

February 22, 2021
Supported by City of Sydney

Review: Illuminate (Australian Romantic & Classical Orchestra)

Radiant return to the stage despite some last-minute border decisions.

February 22, 2021

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