Review: The Boy Who Talked To Dogs (Slingsby, State Theatre Company South Australia, Adelaide Festival)
World Premiere proves love is a four-legged word.
World Premiere proves love is a four-legged word.
Alexander Berlage's colour saturated, overblown production of Mel Brooks' musical doesn't quite find its groove though there's still much to enjoy.
This Australian premiere rightly challenges us to the point of discomfort, raising more questions than it answers.
In a welcome return, The Sleeping Beauty has re-awakened, and Victorian Opera’s long-awaited 2021 season has finally begun.
Carmen Giannattasio makes an impressive Opera Australia debut in John Bell’s dramatic production.
SXS's season opener with Slava Grigoryan proved an amiable, enjoyable concert with a fascinating new work for guitar and chamber orchestra by Natalie Nicolas.
Freeze Frame Opera presents an operatic Play School and has a whale of a time.
An all-encompassing, explosive, emotional experience that mines the pain and glory of human existence.
The Met comes up with a neat, COVID-safe solution.
The Queensland Symphony Orchestra’s first Maestro Concert for 2021 was a sure-fire winner, perfectly delivered.
Rachael Dease's songs are moving, haunting, dark and ultimately unshakeable.
Radiant return to the stage despite some last-minute border decisions.
Simone Young breathes plenty of life into familiar repertoire in this belated birthday celebration.