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Supported by City of Sydney

Review: Charpentier’s Messe de Minuit (Pinchgut Opera)

Comfort and joy from Pinchgut Opera, in a Christmas concert of interweaving colours and enchanting hues.

December 6, 2020
Classical Music, Vocal & Choral
Live Review

Review: Far and Near (The Australian Voices)

The Australian Voices finally return with a dazzling showcase of nine new works.

December 5, 2020
Theatre
Live Review

Review: Pippin (Sydney Lyric Theatre)

Staged as if in a circus big top, this exhilarating, magical production thrills and delights at every turn.

December 4, 2020
Theatre
Live Review

Review: Oklahoma! (Black Swan State Theatre Company)

An enormously enjoyable production that recalls the madcap experiments with musical theatre launched out of the 1970s Australian New Wave theatre movement.

December 4, 2020
Classical Music, Orchestral
Live Review

Review: The Emperor (West Australian Symphony Orchestra)

WASO brings its best to the table with a mighty yet relaxing performance.

November 30, 2020
Theatre
Live Review

Review: The Picture of Dorian Gray (Sydney Theatre Company)

Kip Williams' dazzling stage adaptation of Oscar Wilde's gothic melodrama, brilliantly performed by Eryn Jean Norvill, speaks to the here and now.

November 30, 2020
Theatre
Live Review

Review: The Wharf Revue – Good Night and Good Luck (Sydney Theatre Company presented by Riverside Theatres)

The final Wharf Revue under the STC banner is a night of frivolity and fast costume changes, where all that is puffed up in politics is satisfyingly pricked.

November 27, 2020
Supported by City of Sydney

Review: New Breed 2020 (Sydney Dance Company)

Four very different works by Jesse Scales, Chloe Leong, Joel Bray and Raghav Handa make for an absorbing evening.

November 27, 2020
Classical Music, Orchestral
Live Review

Review: Beethoven’s Emperor (Queensland Symphony Orchestra)

A monumental and memorable musical climax, in defiance of the seven long months of silence.

November 23, 2020
Supported by City of Sydney

Review: Inguz (Ensemble Offspring)

Live new music returns with a bang after long lay-off.

November 23, 2020
Classical Music, Orchestral
Live Review

Review: Tchaikovsky’s Symphony No. 4 (West Australian Symphony Orchestra)

The program may have been unsurprising but the compelling concert kept the audience on the edge of their seats.

November 23, 2020
Dance
Live Review

Review: GALA (West Australian Ballet)

The company outshone itself in recreating 11 captivating vignettes.

November 20, 2020
Theatre
Live Review

Review: The Holidays (Queensland Theatre)

An incredibly moving and visually delightful work about family, empathy and memory.

November 20, 2020

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