In this new production, directed by Joseph Mitchell and conducted by its composer Richard Mills, the opera has finally found its place and worth.

A gorgeous concert that marks ASQ cellist Sharon Grigoryan’s departure and reaffirms online delivery as a key part of the future of concert presentation.

Queensland Ballet breaks the dance drought with a magical night under the stars.

Wicked Sisters leaves us contemplating who amongst our closest we can trust.

Glorious Baroque music from Camerata showcased luscious soprano Sofia Troncoso as the Queen of the Nile.

David Greco and Erin Helyard's imaginative program of baroque rarities makes for an ideal return to the concert hall.

An acerbic two-hander interrogating class, privilege, and power in art and storytelling.

This farce, set over Christmas lunch, is written with an unusual twist, but the humour largely fails to land.

Four young Adelaide composers create exciting new and experimental works.

Electric viola da gamba ensemble Elysian Fields conjure dark introspection in Sydney's cosy Mary's Underground.

The restrained but heartfelt emotion of Fauré’s Requiem cut through the downpour outside with reassuring harmony and warmth.

Ensemble Offspring's performance for the SOH digital program, in front of a live audience, is a joyous, mesmerising occasion.