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Opera, Vocal & Choral
Live Review

Review: Hayley Sugars (Opera Queensland)

Love is in the air in this neatly judged Valentine’s recital.

February 17, 2020
Chamber, Classical Music
Live Review

Review: A New World: Intimate Music from Final Fantasy (New World Players)

Familiar themes given new life in Final Fantasy chamber performance.

February 17, 2020
Classical Music, Vocal & Choral
Live Review

Review: English Motets (The Gesualdo Six, Perth Festival)

One of the UK's finest young vocal ensembles mesmerises a Perth Festival audience with sublime harmonies.

February 17, 2020
Theatre
Live Review

Review: No Pay? No Way! (Sydney Theatre Company)

Helen Thomson is blissfully funny in this new adaptation of Fo’s classic political farce.

February 16, 2020
Theatre
Live Review

Review: Torch the Place (Melbourne Theatre Company)

Benjamin Law’s playwriting debut is a tragi-comic family story full of heart and humour.

February 15, 2020
Chamber, Classical Music
Live Review

Review: Emperors & Armies (Australian Haydn Ensemble)

The Australian Haydn Ensemble's 2020 is off to a racing start.

February 14, 2020
Classical Music, Orchestral
Live Review

Review: Beethoven 1, 2 & 3 (Australian Chamber Orchestra)

Vive la révolution with the ACO’s fiery Beethoven.

February 12, 2020
Theatre
Live Review

Review: Hecate (Yirra Yaakin Theatre Company, Perth Festival)

A haunting, profoundly theatrical adaptation of Macbeth performed in Noongar.

February 11, 2020
Chamber, Classical Music
Live Review

Review: Beethoven: The Early Quartets (Danish String Quartet, Chamber Music Society of Lincoln Center)

Three Danes and a Norwegian exhibit crystal clarity and an imaginative eye to the future in early Beethoven.

February 11, 2020
Classical Music, Orchestral
Live Review

Review: Power and Glory (Queensland Symphony Orchestra)

Power, yes, but this opening gala concert is missing the glory.

February 10, 2020
Theatre
Live Review

Review: The Deep Blue Sea (Sydney Theatre Company)

This production of Terence Rattigan's quintessentially English drama never quite finds its groove, despite a strong performance from Marta Dusseldorp.

February 10, 2020
Dance
Live Review

Review: Ballet at the Quarry: Light and Shadow (West Australian Ballet)

This triple bill showed off all the qualities of the company and then some.

February 10, 2020
Classical Music, Orchestral
Live Review

Review: The Adventure Begins (Adelaide Symphony Orchestra)

The Adelaide Symphony Orchestra’s engaging all-Russian program showcases an outstanding young violin talent.

February 10, 2020

Posts pagination

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