The Australian Haydn Ensemble's 2020 is off to a racing start.

Vive la révolution with the ACO’s fiery Beethoven.

A haunting, profoundly theatrical adaptation of Macbeth performed in Noongar.

Three Danes and a Norwegian exhibit crystal clarity and an imaginative eye to the future in early Beethoven.

Power, yes, but this opening gala concert is missing the glory.

This production of Terence Rattigan's quintessentially English drama never quite finds its groove, despite a strong performance from Marta Dusseldorp.

This triple bill showed off all the qualities of the company and then some.

The Adelaide Symphony Orchestra’s engaging all-Russian program showcases an outstanding young violin talent.

The Omega Ensemble kicks off its 2020 with folk-infused trios.

This adaptation of Peter Goldsworthy’s novella is big-hearted but not fully realised in its look at love and death.

The SSO kicks off 2020 with mambos and marine life in a burlesque season opener.

A modest yet mostly satisfying production of Beethoven’s only opera.