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Classical Music, Instrumental
Live Review

Review: Kirill Gerstein in Recital (Carnegie Hall, New York)

Gerstein offers food for thought served up through the medium of a tangy Austro-Hungarian goulash.

February 22, 2020
Theatre
Live Review

Review: War Horse (National Theatre of Great Britain & Trafalgar Entertainment)

The script may be pedestrian at times but the staging and puppetry is dazzling.

February 21, 2020
Classical Music, Vocal & Choral
Live Review

Review: Considering Matthew Shepard (Sydney Philharmonia Choirs & City Recital Hall)

A deeply moving, thought-provoking and timely oratorio.

February 21, 2020
Classical Music, Theatre
Live Review

Review: Tao of Glass (Perth Festival)

An intimate, personal and human love-song to the music of Philip Glass.

February 21, 2020
Classical Music
Live Review

Review: Mugenkyo Taiko Drummers (Adelaide Fringe)

They've got rhythm, they've got music, who could ask for anything more?

February 21, 2020
Classical Music, Orchestral
Live Review

Review: The Rite of Spring (Sydney Symphony Orchestra)

Pietari Inkinen launches the Symphony Hour series – and makes his SSO debut – with a thrilling Rite.

February 20, 2020
Chamber, Classical Music
Live Review

Review: Beethoven: The Late Quartets (Danish String Quartet, Chamber Music Society of Lincoln Center)

One of today's great string quartets delivers unique accounts of Beethoven's music of the future.

February 20, 2020
Theatre
Live Review

Review: The Neighbourhood (La Boite Theatre Company and Multicultural Australia, in association with Empire Theatres)

A moving and memorable piece of theatre traversing a range of forms to tell stories of home, hope and belonging.

February 18, 2020
Classical Music
Live Review

Review: Janine Jansen, Jaap van Zweden & Tania León (New York Philharmonic)

Jansen is glorious in Brahms, while León offers a rich new work and a compelling nightcap.

February 18, 2020
Theatre
Live Review

Review: Emerald City (Queensland Theatre and Melbourne Theatre Company)

Despite being written and set in the 1980s, David Williamson’s rapid-fire satire remains a relevant critique of affluence and art.

February 17, 2020
Classical Music, Instrumental
Live Review

Review: Garrick Ohlsson (Musica Viva Australia, Perth Festival)

A flawless recital by one of the giants of the piano.

February 17, 2020
Opera, Vocal & Choral
Live Review

Review: Hayley Sugars (Opera Queensland)

Love is in the air in this neatly judged Valentine’s recital.

February 17, 2020
Chamber, Classical Music
Live Review

Review: A New World: Intimate Music from Final Fantasy (New World Players)

Familiar themes given new life in Final Fantasy chamber performance.

February 17, 2020

Posts pagination

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