Review: Big Girls Don’t Cry (Belvoir)
Dalara Wlliams' portrait of Redfern in the 1960s is also a gripping Indigenous ‘her-story'.
Dalara Wlliams' portrait of Redfern in the 1960s is also a gripping Indigenous ‘her-story'.
Greeted like a rock star for his Australian debut tour, South African cellist Abel Selacoe does not disappoint.
From the first note, countertenor Reginald Mobley has the audience spellbound, immersed in a sound world of the clearest crystal.
Kathryn Selby, Julian Smiles and Daniel Dodds celebrate Maurice Ravel’s 150th birthday in dazzling style.
An outstanding reading of Fauré’s lucent masterpiece. The Sydney Chamber Choir has never sounded better.
John Neumeier’s Nijinsky is a ballet that with each viewing and hearing shows something new and precious.
It's depressing out there, so why not take your children to this feel-good family show and bask in a little theatrical sunshine?
A hostage drama from the latter years of Soviet Russia has the potential to resonate, but this production is too chaotic to land a punch.
Poignant moments and a serious message, but Tom Gleisner's musical could do with further development.
In times when we're not quite sure what we're allowed to laugh at, The Producers delights in being an equal-opportunity giver of offence.
Expertly performed by Sydney Philharmonia Choirs, a concert of stirring music to gladden the heart.
More Schubert to die for from Matthias Goerne and Daniil Trifonov’s once-in-a-generation partnership.
Paul Dyer and the Brandies hit the jackpot with back-to-back Bach Baroque bonanza.