Review: Carlotta – The Party’s Over (Adelaide Cabaret Festival)
She's no Barbra Streisand, no Cyd Charisse, but Carlotta has few peers when it comes to connecting with an audience.
She's no Barbra Streisand, no Cyd Charisse, but Carlotta has few peers when it comes to connecting with an audience.
The Song Company shines in a cleverly assembled collection of songs by Baroque masters and contemporary Brits.
Overflowing with musical and visual delights, this Fairy Queen is a gorgeous night in the theatre.
David Kram’s adaptation reimagines Wagner’s magnum opus, cutting it back to an accessible 90 minutes. AI film version to come.
The devil – and more – in the detail in a spooky program featuring Bernard Herrmann's still-impactful Hitchcock score.
A newly established ensemble of staff of the University of Adelaide’s Elder Conservatorium delightfully showcases three exemplary chamber compositions.
The ‘pianist’s pianist’ Stephen Hough sprinkles some rare Mendelssohn magic with a Brahms feast to follow.
Ensemble playing of considerable accomplishment, led by a conductor of growing authority.
The connection between being and seeing – physically and metaphorically – shapes Bangarra's brilliantly illuminating new work.
A neurodiverse Peruvian cast defy expectations in this radical interpretation of Shakespeare’s play.
If you are looking for a theatre experience that will have you talking long into the night, Eureka Day is the play for you.
Guitar great Pat Metheny unpacks 50 years in this mind-boggling one-man magical mystery tour.
Expectations are continually overturned and challenged in this gripping reboot with an emphasis on athleticism and thrillingly accurate unison work.