Review: Endgames (fortyfivedownstairs)
Max Gillies interprets three short works by Jack Hibberd, Samuel Beckett and Anton Chekhov with mixed results.
Max Gillies interprets three short works by Jack Hibberd, Samuel Beckett and Anton Chekhov with mixed results.
Matthew Lutton's farewell production fails to fly, with Du Maurier's apocalyptic vision blurred by the immersive headphone experience.
An entertaining and intelligent program from Ensemble Q, with just the right mix of the comforting, the adventurous and the heartfelt.
New duo Bronzewing takes us on a mind-boggling musical time warp across nine centuries.
Coriole celebrates its silver anniversary with two days of musical gold.
World-class singing on a cattle station in the middle of the outback? Hearing is believing.
Four easing pieces for a world gone wrong from Omega Ensemble.
The Sydney Concert Orchestra finds its voice in a unique collaboration with the Russian Orthodox Male Choir of Australia that celebrates the Slavic spirit.
An uncommon occasion for budding opera singers to develop their chops in the baroque idiom.
Hats off to Eddie Perfect, who provides music and lyrics and plays the title role in this dementedly funny horror musical.
Leaning too heavily on the humour in Harold Pinter's play allows tension to be overwhelmed by melodrama.
The second opera in Barrie Kosky’s Ring Cycle is darkly dramatic, suggesting the Earth has burned. Catch it at cinemas here.
In the elemental surroundings, Korean star Sumi Jo steals the show with a performance that takes root in the memory.