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Chamber, Classical Music
Live Review

Review: Kronos Quartet (Carnegie Hall, New York)

Alongside the golden oldies, not so old dogs deliver plenty of new tricks.

January 28, 2020
Theatre
Live Review

Review: The Recidivists (Red Line Productions)

This intriguing, whacky cabaret-cum-sketch show whisks you into the subconscious.

January 27, 2020
Classical Music
Live Review

Review: Buŋgul (Skinny Fish Music, Sydney Festival)

This tribute concert to Dr G Yunupingu was a mesmerising, emotionally affecting sensation.

January 26, 2020
Theatre
Live Review

Review: The Life of Us (100 Coffees Productions & Neil Gooding Productions)

A new small-scale musical about a long-distance relationship is a promising calling card for its writers, though the story could be stronger.

January 25, 2020
Theatre
Live Review

Review: Home, I’m Darling (Melbourne Theatre Company)

This fun satire about 1950s domestic bliss is more style than substance.

January 25, 2020
Classical Music
Live Review

Review: Gustavo Dudamel conducts Mahler & Schubert (New York Philharmonic)

Venezuelan maestro and last-minute stand in raise the stakes in a memorable Das Lied von der Erde.

January 25, 2020
Theatre
Live Review

Review: Family Values (Griffin Theatre Company)

One of David Williamson’s last new plays, this dark comedy feels urgent, incredibly topical and invigorating.

January 24, 2020
Opera
Live Review

Review: As One (Gertrude Opera, Midsumma Festival)

A humble yet powerful opera about the transgender experience makes its Australian debut.

January 24, 2020
Theatre
Live Review

Review: Forget Me Not (Ronnie Burkett Theatre of Marionettes, Sydney Festival)

A meditation on love, loss, connectivity and a heartfelt reminder of the power and symbolism of the written word.

January 24, 2020
Theatre
Live Review

Review: Poirot and More: A Retrospective (David Suchet)

A delightful look at the life and career of one of Britain’s most beloved actors.

January 24, 2020
Uncategorised
Live Review

Review: Tenebrae (Sydney Festival)

An impressive Sydney debut by British choir Tenebrae at the Sydney Festival.

January 23, 2020
Classical Music, Dance
Live Review

Review: Romances Inciertos, Un Autre Orlando (Sydney Festival)

A witty, hypnotic response to Virginia Woolf's Orlando.

January 22, 2020
Theatre
Live Review

Review: Bran Nue Dae (Opera Conference, Sydney Festival)

The plot may be pretty flimsy with holes in the narrative but the joyous score is irresistible and the message is as important as ever.

January 19, 2020

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