Power, yes, but this opening gala concert is missing the glory.

This production of Terence Rattigan's quintessentially English drama never quite finds its groove, despite a strong performance from Marta Dusseldorp.

This triple bill showed off all the qualities of the company and then some.

The Adelaide Symphony Orchestra’s engaging all-Russian program showcases an outstanding young violin talent.

The Omega Ensemble kicks off its 2020 with folk-infused trios.

This adaptation of Peter Goldsworthy’s novella is big-hearted but not fully realised in its look at love and death.

The SSO kicks off 2020 with mambos and marine life in a burlesque season opener.

A modest yet mostly satisfying production of Beethoven’s only opera.

WASO provides a fun array of sunny works and endlessly hummable tunes to gently coax its audience back into the concert hall.

Peter Mattei brings a Wozzeck-like intensity to Schubert's lost soul.

Sparks fly between Rose Byrne and Bobby Cannavale in Simon Stone's visceral modern Medea.

Alongside the golden oldies, not so old dogs deliver plenty of new tricks.