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Dance
Live Review

Review: Trois Grandes Fugues (Lyon Opera Ballet, Adelaide Festival)

Three leading female choreographers take on Beethoven’s Grand Fugue to thrilling effect.

March 8, 2020
Classical Music, Vocal & Choral
Live Review

Review: 150 Psalms: Celebration of Life (Adelaide Festival)

The final program in 150 Psalms demonstrated the excellence, precision and mastery of all singers involved.

March 6, 2020
Classical Music, Vocal & Choral
Live Review

Review: 150 Psalms: Path of Life & Power and Oppression (Adelaide Festival)

Pristine singing, but does it fulfil the project's aims?

March 6, 2020
Theatre
Live Review

Review: Hamlet (Bell Shakespeare)

An eloquent, stylish production, set in the 1960s, with a dazzling performance by Harriet Gordon-Anderson as Hamlet.

March 5, 2020
Chamber, Classical Music
Live Review

Review: A Tale of Two Cities (Selby & Friends)

Exciting performances of Stravinsky and Arensky kick off Selby & Friends' 2020 in style.

March 4, 2020
Chamber, Classical Music
Live Review

Review: Haveron, Breider, & Clerici with Daniel de Borah (Musica Viva Tasmania)

An evening of chamber music filled with passion, virtuosity, romance and sheer exuberance.

March 4, 2020
Opera
Live Review

Review: Der Fliegende Holländer (Metropolitan Opera, New York)

Gergiev's hand on the tiller makes heavy weather of Girard's new Dutchman.

March 4, 2020
Classical Music, Vocal & Choral
Live Review

Review: 150 Psalms: Powerlessness (Adelaide Festival)

The Song Company proves adept across styles in this spiritually uplifting concert.

March 4, 2020
Chamber, Classical Music
Live Review

Review: ACO Underground (Australian Chamber Orchestra)

The ACO assembles a starry line-up for a concert spanning Bach to Nine Inch Nails.

March 3, 2020
Theatre
Live Review

Review: The Doctor (Adelaide Festival)

Robert Icke's riveting adaptation of a 1912 play by Arthur Schnitzler feels urgent and terribly timely.

March 2, 2020
Classical Music, Opera
Live Review

Review: Fidelio (West Australian Symphony Orchestra)

A rousing and triumphantly optimistic experience.

March 2, 2020
Classical Music
Live Review

Review: Dragon Ladies Don’t Weep (Chamber Made, Asia TOPA)

An avant-garde icon offers rare insights into what drives her.

March 2, 2020
Classical Music, Opera
Live Review

Review: Requiem (Adelaide Festival)

In an exciting start to the festival, this provocative production, with its stunning staging and symbolic imagery, will leave you pondering.

February 29, 2020

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